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 Fundacija Brumen |
| ZADNJE DOSJE Uvod Anna Berkenbusch Pierre Bernard Peter Bilak Irma Boom Max Bruinsma William Drenttel Jessica Helfand Andrzej Klimowski Cyprian Koscielniak Bo Linnemann Piotr Młodozeniec Bruno Monguzzi Aleš Najbrt Jean-Françoise Porchez Mark Porter Rick Poynor Erik Spiekermann Wieczyslaw Wasilewski Alan Záruba BIENALE 04 Fotogalerija Poročilo žirije Žirija Komisija Ožji izbor Razpis Medijska soba Summary bvss04 & mod04 MOD 04 Fotogalerija Žirija Predavanja Razstava Medijska soba POSTER FESTIVAL LJUBLJANA 09 ZAGREB English Slovensko Fotogalerija OBLIKOVANJE ZA DRŽAVO - razstava Slovensko English Medijska soba BRNO English Slovensko Fotogalerija OBLIKOVANJE ZA DRŽAVO - posvet Referati Medijska soba Sklepi posveta ODGOVORNOST V OBLIKOVANJU Predavanja Medijska soba Fotogalerija |
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Predstavitev članov mednarodne žirije Members of the International Jury Peter Bilak (sk, nl) Andrzej Klimowski (uk, pl) Mark Porter (uk) Alan Záruba (cz) Peter Bilak was born in former Czechoslovakia in 1973, and studied in Slovakia, England and USA, before getting his MA from Atelier national de création typographique in Paris, and postgraduate laureate from Jan van Eyck Akademie in Maastricht. Before starting the studio & type foundry Typotheque in The Hague with his wife Johanna Bilak, he has worked at Studio Dumbar. Presently, he is working in the field of editorial, graphic and type design, on a scope of cultural and commercial projects. Recent projects include: design of the standard stamps for the Dutch Royal mail (TPG Post); series of dance performances (in collaboration with choreographer Lukas Timulak from NDT); design of Arabic and Indic fonts; designing books for Stroom, The Hague art center; design of exhibition at the Dutch architectural institute; curating and organizing of the exhibitions at the Biennale of graphic design, Brno. He has designed several fonts including FF Eureka (published by Fontshop) and Fedra (published by Typotheque). He is the founding editor of Dot Dot Dot, an art and design magazine (with Stuart Bailey). Lectures internationally, most recently at Rhode Island School of Design (USA), Istituto Europeo di Design (Italy), LPP London (UK), ECAL Lausanne (CH), or l'UQAM Montreal (Canada). He is a frequent contributor to various art and design magazines, including Print (USA), Emigre (USA), Items (NL), Metropolis M (NL), Idea (JP), etc. He has served in a number of juries of selections, most notably ADC New York, Laus Barcelona, Magdalena (Slovenia), Biennale Brno (Czech Republic), Les plus beaux livres français 2007, or ADC Amsterdam. He is a member of AGI (Alliance Graphique Internationale). www.typotheque.com www.peterbilak.com Born of Polish parents in London in 1949, Andrzej Klimowski was trained at the Saint Martin's School of Art before studying at the Academy of Fine Art and working professionally in Warsaw. His east-European legacy deeply influences Klimowski's work. From the late 1970s to the near present he has designed posters and book jackets - including novels by PG Wodehouse , Simon Louvish, Lionel Shriver, Milan Kundera and Kazuo Ishiguro - and illustrations, TV graphics and animation, following his particular of from examples of his 'Polish School' design. The early twentieth century photo-collagists, Surrealism, Dada and Expressionism have obviously been an influence on part of Klimowski's work, but he has developed his own personal style with a combination of fantasy, anxiety, ambiguity and eroticism which keeps his works from becoming mere pastiches. His work includes short films, illustrations and books, including Lo sguardo deviato ('The deflected gaze'), The Secret, and most recently many graphic novels: The Depository, The Secret and Horace Dorlan (published by Faber & Faber) and The Master & Margarita and Dr. Jekyll and Mr. Hyde (published by SelfMadeHero). NHis work has been subject of a retrospective at the Theatre Museum London. He is the current head of illustration at the Royal College of Art, London. www.klimowski.com Mark Porter is an editorial designer. He was born in Scotland and studied modern languages at Oxford University. Initially self-taught, he learnt from some of London and New York's best art directors. He worked on a range of award-winning magazines including, Wired, and Colors. He joined The Guardian in 1995, and in 2005 he masterminded the seminal Guardian relaunch, which has become a benchmark of contemporary newspaper design. He then oversaw the redesign of guardian.co.uk, and now divides his time between print and digital projects. He remains Creative Director of The Guardian, and consults for publishers and media organisations worldwide. He has been awarded the top honours in the industry, including World’s Best Designed at the Society for News Design, a gold medal from the Society of Publication Designers, and a black pencil in the D&AD global awards. www.markporter.com Alan Záruba was born 1964 and holds an MA in Typo/graphic studies from London School of Printing. He founded Alba studio Ltd. in 1996, now Alba Design Press Ltd. in Prague. With his colleagues and design historian Dr. Iva Janakova he co-founded the design magazine Deleatur and served as editor. He teaches at the Academy of Architecture and Design in Prague (where he is a current PhD. candidate) and the Merz Academy in Stuttgart (2002). He was on the organizing committees of the International Graphic Design Biennale in Brno 2004, 2006 and the ATypI Congress 2004 in Prague. In 2004 he collaborated with Johanna Balusikova on a project called “e-a-t experiment and typography” which presented selected typographic practices from Czech and Slovak designers. One of the outcomes was an exhibition, which toured around the world. Alan Zaruba is also a designer of experimental typeface Cogito (2004). He regularly presents at typographic conferences. www.albadesign.org |
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